runpunkrun: combat boot, pizza, camo pants = punk  (punk rock girl)

Hello, folks. Here on my journal you will find non-fannish content like podcast and book reviews, recipes, and personal essays (??); fannish content will include recs, meta, and possibly even some fanfiction (???).

I do write fanfic, just slowly. All of my work is on the AO3. If you're interested, you can check out my content notes policy. I also have a transformative works policy, but in short: Go for it.

These days I'm into Star Trek (Original and Alternate Series), Star Trek RPF (Chris Pine/Zachary Quinto, aka Pinto), and Stargate Atlantis. Older fandoms include: Smallville, due South, Sports Night, The West Wing, and The X-Files.

I welcome comments and try my best to reply, though I may not always succeed. Don't feel like you're intruding. Or if all you want to say is a heart emoji or a +1, that's cool with me. If you want to add me to your reading list, go right ahead, there's no need to ask, and if you want to remove me from your list, that's also cool.

Most of my entries are public. If I post an entry locked to an access group, it's probably about being chronically ill, my least favorite fandom.

I run [community profile] gluten_free and [community profile] fancake, and here are some other places you can find me:

runpunkrun: image of a folded newspaper, text: good news everyone! (good news everyone!)
Sound

This week's featured myNoise.net soundscape is the newly released Shroom With a View, a jazzy musical generator with a whiff of the psychedelic.

Fandom

My old pal Jess is putting together a zine to celebrate the 30th anniversary of Speed and is taking submissions! I turned an unwritten fic idea (itself 23 years old and created with another old pal [personal profile] wearemany) into a Harry/Jack haiku. Deadline is May 31st.

Fancake

[community profile] fancake's theme for March is No Canon Required, and this is the last day to vote on the theme for April.

Food

Over at [community profile] gluten_free we're doing legumes. Meanwhile, I wrote a review for Goodie Girl S'mores Sandwich Cookies.
runpunkrun: dana scully reading jose chung's 'from outer space,' text: read (reading)
Spoilers for the first five books as I reread them in preparation to read Return of the Thief for the first time.

The Thief )

The Queen of Attolia )

The King of Attolia )

~ONE YEAR LATER~

A Conspiracy of Kings )

Thick as Thieves )

Now I'm going to read Return of the Thief and I expect it to be GRUELING because I'll be worrying about Gen THE ENTIRE TIME. NOBODY LOOK AT ME.
runpunkrun: dana scully reading jose chung's 'from outer space,' text: read (reading)
This is a very busy book with a lot of people doing a lot of things, some of which I didn't find very interesting, and some of whom I did not need to hear from (the Uskaros), but it is very readable and I slurped the whole thing down in a matter of days and always wanted to know what would happen next. The answer was: A lot. A Lot would happen, much of it all at once, but the nature of narrative being what it is, and the wordiness of this novel, meant hearing about these simultaneous actions was often delayed, mentioned only in retrospect, or skipped over entirely, but the ending was perfect for the series and held to both Tchaikovsky's principals as an author and the rules of this universe.

ALSO excellent use of Olli and her talent for interfacing with...let's call them mobility aids.

Contains: mass causalities; ableist language; fake racism (against fictional races), but also the language of real racism and slaveholding ("uppity"); descriptions of seething masses of sentient bugs.
runpunkrun: dana scully reading jose chung's 'from outer space,' text: read (reading)
Matthew Trueman's mixed media illustrations are gorgeous. This is space with a lot of depth and color and an intriguing use of texture. While some pieces are only a single page, most span a pair of facing pages, and each page, or set of pages, has one or two haiku on it that directly relates to the art.

Sally M. Walker's haiku are a mix of factual and metaphorical and are capable but—if we're ignoring they're in a children's book and I am—largely unremarkable, though they mostly adhere to a 5-7-5 syllable pattern if that's something you're interested in counting out with the kiddos.

Here's my favorite:

now a dwarf planet
Pluto still circles the sun
its heart unbroken

At the back of the book are some simple explanations of things like the Milky Way and the Big Bang, plus a brief bio of each of the eight planets, including my favorite fun fact that Venus is absolutely rotating backwards (counterclockwise) compared to everyone else in the solar system. There's also a glossary of astronomy terms and a short list of further reading and some online resources.

Contains: an asteroid explicitly about to kill a bunch of dinosaurs and extinguish 70% of all life on Earth.
runpunkrun: image of a folded newspaper, text: good news everyone! (good news everyone!)
Fandom

Transformative Works and Cultures has released No. 42, Fandoms and Platforms. It focuses on the use of platforms, technologies, and cultural norms in digital fandom, and is guest edited by Maria Alberto, Effie Sapuridis, and Lesley Willard.

Fancake

[community profile] fancake's theme for March is No Canon Required.

Food

Over at [community profile] gluten_free we're doing legumes.
runpunkrun: dana scully reading jose chung's 'from outer space,' text: read (reading)
A graphic novel in flat black and white with simple but energetic lines and a playful use of perspective, this memoir is made up of little vignettes that form a picture of MariNaomi in their early twenties as they get a job in a Japanese hostess bar in San Jose, try to learn Japanese in order to reconnect with their heritage, and then spend three months in Japan.

Japanese hostess bars are bars that hire women to entertain male clients, making them feel, I guess, important and valued by chatting with them, drinking with them, dancing with them, and singing karaoke for them. These bars are, as you might imagine, a hotbed of misogyny and social (and sometimes sexual) coercion. It is not a good time, and Mari comes out of the experience a bit shook. That doesn't stop them from taking another job at a hostess bar in Japan, though.

Mari is a bit opaque to the reader. Their relationship with their partner felt more like inertia than a partnership. I had no sense of why they were together or what they liked about each other. We don't even see Mari studying Japanese. This is very much a this happened, that happened, this happened form of storytelling, with very little personal reflection, but even if I didn't get a good sense of who Mari was as a person, I was interested in their experiences, and the art makes this very enjoyable to read.

While the book is populated with squirmy, diseased looking kanji that indicate Japanese inscrutable to the author, there is very little actual Japanese. Instead, in true comic book fashion, dialogue translated from another language is shown in angle brackets. And here, MariNaomi does something interesting with their own attempts at Japanese, translating it literally and giving the impression that their Japanese is weird and stilted because the English translation is, but if you know Japanese, you know that Mari is probably speaking grammatically correct, if perhaps overly self-conscious Japanese, just without the confidence and style of someone more familiar with the language. So you get translations like, <As for me, I am chilly.> Weird in English. Perfectly fine in Japanese. Same goes for their response of <No. Stomach full!> when asked if they want something to eat. That is literally how you express hunger in Japanese, by stomach contents. Mari doesn't do this with the Japanese of native speakers, translating those sentences more naturally, and this conceit even falls away somewhat in their own Japanese as they get more comfortable with the language. It's a neat way of showing facility with a language without being overly cartoonish about it, and I appreciated the thought that went into it and was happy (through my own rudimentary Japanese) to recognize the joke they were making at their own expense.

The author includes their own content notes on the verso page, which I love to see, though they aren't very detailed ("mental health"??) and also leave out some major themes.

Contains: sexual assault (groped by a customer); racist language, attitudes, and slurs (though they're blacked out); panic attacks and anxiety; fear of needles; disordered eating; illness; depictions of a drastically underweight nude body.
runpunkrun: dana scully reading jose chung's 'from outer space,' text: read (reading)
I read this twice. I read the introduction in the book, listened to the entire audiobook, and then went back and read the poem in print.

JD Jackson has a lovely voice, deep and resonant, but when he wasn't giving life to the poem's few characters, his performance had a monotony about it, broken only by aggressive gouts of alliteration, which, depending on what sounds were being repeated, could sometimes sound slightly silly. Ditto for the kennings—compound expressions with metaphorical meanings, like whale-road for sea—which at times felt overly precious bumped up against the slangier parts of the poem—sky-candle for sun? eyeroll—and while I'm sure that contrast is intentional, the effect had mixed results for me. As Headley explains in her introduction, the original poem was written in intentionally archaic language, and she was trying to duplicate that effect for a modern audience, but she also says that her translation is "structured for speaking, and for speaking in contemporary rhythms," which wasn't entirely born out by Jackson's performance. However, after reading this aloud myself, I discovered that none of that was his fault, as there's something particularly plodding about the meter, especially when it comes to the long strings of adjectives, and the prose just doesn't have the same energy as the dialogue.

Even though the majority of the individual words rolled off me like rain off a goblin in an oilskin, listening to this gave me the general gist of the story: a monster, some puffed up Geats, a fight, Grendel's arm hung from the ceiling, someone tells a story at dinner, Grendel's mom rolls up to avenge her son, another fight, and then, much later, a dragon. But I was already familiar with this poem from being forced to read it in high school, and, like Shakespeare, I don't think the story is meant to be the real draw here because what do I care about a dude out there slaying monsters (or mothers) and bragging about it; I assume it's the language that makes this special. And I wasn't on board for it.

But, because I'm stubborn and Like That, after I finished the audiobook, thinking I don't like this nearly the entire time, I picked up the book and gave it another try. I read it aloud to myself (and the cat, who happened to be sitting on my lap) and discovered I liked it more that way. However, while you can, technically, read this aloud, mainly because it's not written in old English (hwæt?!), I'd hesitate to say it sounds contemporary. Nothing with this meter and this much alliteration is going to sound modern. Ditto for the anvil-like adjective strings. Still, I found I was better able to appreciate the language with the book in front of me. Here's my favorite line, one I only noticed in print:
Each of them, living, canceled out the other,
as Cain had Abel, brother unbrothered.
Love it. Love the language, the meter, the subtle rhyme. I even love the Biblical reference because, like Steve Rogers, it's one I understand.

As time wore on, though, I got worn down. My initial pleasure in the language and the middling mix of English slang and old English epic started to feel like a gimmick. If you're going to go Bro, I think you have to go Bro all the way. Not that I would recommend it. So, in the end, this ended up a solid "okay" from me. I'm glad I gave it another chance, but for all of Headley's talk of amplifying the female it's still fucking Beowulf, isn't it? What if that guy at the bar was a woman? Now that would, literally, be a feminist retelling.

Due to my interest in translation (and general disinterest in Beowulf's whole thing), I probably found Headley's introduction to be the most compelling part of this venture. It's very easy to read and she does a good job of exploring the poem's history and explaining her approach to translating not only the story but its style. It also made me think about who she lifted up and—with the help of Samira Nadkarni's excellent review Whose "Bro" Is It Anyway?—who she left out.

One final note: I wondered how the audiobook would deal with the introduction's copious footnotes and it does so by skipping them entirely. Which is a choice it neither explains nor acknowledges. It also lacks the author's final acknowledgments, though Maria Dahvana Headley reads the introduction herself and you can almost hear her vibrating with excitement.

Contains: swears, violence, blood and gore, creature harm/death.
runpunkrun: image of a folded newspaper, text: good news everyone! (good news everyone!)
Sound

This week's featured myNoise.net soundscape is the newly released Subconscious Subway, a dark soundscape that is both a meditation tool and a therapeutic aid for anxiety. Plus you can now follow myNoise on Bluesky.

Fandom

The Romancing McShep 2024 Masterlist is up with 38 works and its non-McShep companion fest Romancing SGA 2024 collection is also up with 8 works.

Release notes for recent code changes to AO3: "These eight releases feature quite a few notable improvements, including: modernizing the way we generate PDFs, making it more obvious which comments were made by guests, and fixing an issue that caused forced logouts."

And the February 2024 OTW Newsletter is out, and includes the announcement of a new Fans of Color Research Prize for best peer-reviewed article about fans and/or fandoms of color published in Transformative Works and Cultures in the preceding 3 years. But, this is also the fourth newsletter in a row without a DEI update.

Fancake

[community profile] fancake's theme for March is No Canon Required, and I recced I Can't Decide, by findmeinthealps a fun vid for Taskmaster, a show I have never seen.

Food

Over at [community profile] gluten_free we're doing legumes! Did you know...? All beans are legumes, but not all legumes are beans.
runpunkrun: combat boot, pizza, camo pants = punk  (punk rock girl)
An array of geometric figures depict a landscape. The background appears to be made out of construction paper with a sweep of white sky against a dark green that suggests rolling hills. In front of this a large white circle balanced on top of a small green cube becomes a tree. To the right, a light green styrofoam arch straddles a piece of shiny white plastic formed into a squiggly wave, a bridge over a river. At the top of this image, on a ribbon banner, is the all caps text, 'No Canon Required,' and below that, in a bold cursive script, 'at Fancake.' The overall effect is that of an illustration in a storybook or a fairytale.
No Canon? No Problem!! This round is for fanworks that can be enjoyed without prior knowledge of canon or that contain very little actual canon.

If you have any questions about this theme, or the comm, come talk to me!
runpunkrun: image of a folded newspaper, text: good news everyone! (good news everyone!)
Fandom

The minutes from the last two OTW Board meetings have been posted, which means they're all caught up with posting meeting minutes. If you want the minutes injected straight into your reading page, you can subscribe to [syndicated profile] otw_board_minutes_feed, though, I gotta say, at this point they're nothing but the agenda and whatever else they cut and pasted into the chat. You still have to join the Discord if you want to read the Board's answers to the questions they were asked.

Fancake

[community profile] fancake's theme for March is No Canon Required. No Canon? No Problem!! This round is for fanworks that can be enjoyed without prior knowledge of canon or that contain very little actual canon by volume.

Food

Over at [community profile] gluten_free we're doing legumes! Did you know...? All beans are legumes, but not all legumes are beans.
runpunkrun: image of a folded newspaper, text: good news everyone! (good news everyone!)
Sound

This week's featured myNoise.net soundscape is the newly released Woodland Echoes, a natural noise generator featuring the woodpeckers of Quebec, plus rain on a tent.

Fandom

[tumblr.com profile] teekettle made a work skin for AO3 that creates the look of Sticky Notes on AO3 Without Using Images.

Fancake

[community profile] fancake's theme for February is Trans & Non-Binary Characters, and there are only five days left to make your recs!

I can't rec this on the comm because it's on Twitter, which requires you to be logged in to see content now, but if you are logged in, please enjoy [twitter.com profile] reapersun_art's reboot of a Dumbledore doll. Trans Rights Dumbledore is a delight.

Food

Over at [community profile] gluten_free we're taking it easy with low-effort recipes and resources.
runpunkrun: sunflowers against a blue sky with a huge billowy white cloud (where hydrogen is built into helium)
Last night the phone rang and the screen said "Cannon Beach, OR."

The caller left a message, and when I picked it up this morning, it was just roaring static, sounding like nothing so much as the ocean, crashing onto the beach and then receding, twice, as if the ocean had just called to say hello, that it was still out there.
runpunkrun: john sheppard and teyla emmagan in uniform and standing in a rocky streambed (hold the stillness exactly before us)
firefly viewing
when the boatman is drunk
unsteady
     -1690

Translation by Jane Reichhold.

俳句 )
runpunkrun: image of a folded newspaper, text: good news everyone! (good news everyone!)
Fandom

The questions the OTW Board didn't get a chance to respond to during the January Board meeting have now been answered in the Discord. You can find them in the #questions-answers channel under the header "First quarter of 2024 post-meeting Q&A." There are two threads: "Board Work," and "Other Business." Other Business includes the news that the OTW has selected "a Paid Staff Transition Lead who has begun preliminary research on options for the OTW."

Fancake

[community profile] fancake's theme for February is Trans & Non-Binary Characters, and it's time to vote on our theme for March.

Food

Over at [community profile] gluten_free we're taking it easy with low-effort recipes and resources. I shared a tip about using psyllium husks in baking.
runpunkrun: image of a folded newspaper, text: good news everyone! (good news everyone!)
Sound

This week's featured myNoise.net generator is the newly released Circuit Rhythm. Described as "Retrofuture Nostalgia Electronic Music" it instantly transported me back to the computers of my youth, full of bleeps and bloops. Super fun.

Fandom

OTW's January Newsletter is out...but conspicuously lacking a diversity update.

Fancake

[community profile] fancake's theme for February is Trans & Non-Binary Characters, and we've already got ten recs! Come check them out.

Food

Over at [community profile] gluten_free we're taking it easy with low-effort recipes and resources. I posted a review for Baked to Perfection: Delicious Gluten-Free Recipes with a Pinch of Science, by Katarina Cermelj, which, just to be clear, is a really great cookbook, but the opposite of low-effort.
runpunkrun: silverware laid out on a cloth napkin (gather yon utensils)

A gorgeous book with beautiful photographs of the finished baked goods, process photos for some of the tricky bits, and friendly illustrations that demonstrate the science behind the recipes. Because it explains WHY you're doing things this way, it's got an America's Test Kitchen vibe, only Cermelj herself is gluten free and has a degree in chemistry, so it feels more personal than ATK's GF cookbooks.

Be aware, though, that this is a book for people who have no other dietary restrictions. Cermelj makes no attempt to accommodate those with other major food allergies/sensitivities and most recipes include milk, butter, and eggs, and the only substitutions offered are for recipes with a supplemental amount of almond flour. The few recipes that do happen to be dairy free or egg free aren't even noted in the index.

Most recipes use a gluten-free flour blend. These recipes have all been tested with five commercial blends: Doves Farm Freee plain GF flour, and store-brand GF flour blends from Aldi, Lidi, Asda, and Sainsbury's. Why, yes, this book is British.

There are also two blends you can whip up yourself:

  1. 50% white rice flour, 30% potato starch, 20% maize flour

  2. 40% tapioca starch, 30% buckwheat flour, 30% millet flour

Some recipes then call for additional flours like brown rice, sorghum, millet, and oat, and starches like corn and tapioca. Xanthan gum is used in most recipes, and the breads call for both xanthan gum and whole psyllium husk.

And some specialized ingredients:

  • caster sugar
  • double cream
  • dutch processed cocoa powder
  • vanilla bean paste

The recipes give measurements in grams (even the liquids) and temperatures in °C, and each one has a beautiful full-page photo, headnotes describing the finished product, and storage advice.

The extensive introduction covers the ingredients and tools used in the book, and most chapters include their own specialized details about the science behind particular items, like pie crusts, breads, and muffins vs cupcakes. The recipes range from basic (chocolate chip cookie, hamburger bun) to super fancy (eclair! millefeuille!!) and are broken up into: Cakes; Cupcakes & Muffins; Brownies; Cookies & Bars (+ 1 savory cracker); Pies, Tarts & Pastries; Bread; Breakfast & Teatime Treats; and Around the World, with most of the fussiest stuff being in this last, involving lamination and pastry creme and whatnot.

The breads mostly do not use custom blends and instead call for the exact amount of each of the flours used. I made the focaccia bread which was simple and tasty though I probably overcooked it, and the rice-free (!!) sandwich bread which had a lot, a lot, of steps, but was soft and chewy and delicious even though I probably underproofed it because it never rose into a proper loaf shape. I don't know what it is about Cermelj's recipes, but I've yet to nail any of them on the first try. You live, you learn. I'll try again.

This book is a tremendous resource, and after having it checked out of the library off and on for several years (NOT because I was using it, but in case I MIGHT use it), this time when I returned it, I bought my own copy.

You can also find Katarina Cermelj at her blog The Loopy Whisk where recipes are categorized by diet (nut-free, dairy-free, egg-free, vegan, paleo, etc) and by dish (mostly breads, breakfast foods, and desserts). I've made her gluten free white bread from the blog, and it was also good, even though, again, mine did not come out like the pictures. I'm blaming....England.

Contains: casual use of ableist terms (stupid, crazy); one of the handwriting fonts used for the diagrams is small and its ambiguous letters can be difficult to read; everything is in metric but there are conversion tables in the back.

This review was crossposted to Gluten-Free Eats.

runpunkrun: totoro playing an ocarina (totoro!)

音読み: On'yomi are derived from the Chinese pronunciations. Think of these as the character's original sounds. 音 means sound and おん is, happily, an on reading. On'yomi are frequently written in katakana in dictionaries, but this is a dictionary-only method used for differentiation.

訓読み: Kun'yomi are the original, indigenous Japanese readings. 訓 means...Japanese character reading. 読 (よ) has a kun reading (because okurigana), but 訓 (くん) is, hilariously, still an on reading. That's because a kanji that's part of a compound word with another kanji that has okurigana might be more likely to be read with kun'yomi, but it isn't always.

名乗り: The secret third option. Nanori are irregular readings primarily used in given names and surnames. 名 (な) and 乗 (の) are both kun'yomi.

In general, compound words (two or more kanji put together) use the on'yomi readings, while kanji with hiragana attached use the kun'yomi readings. Single kanji can use either, but are more likely to use kun'yomi.

音読み

When a kanji is in a compound word comprising of two or more kanji, it is likely to be read with an on'yomi. Also some single kanji.

single kanji on'yomi

While less common than single kanji words that use the kun'yomi reading, there are many instances of single kanji using the on'yomi reading. This is especially true for single kanji numbers.

Some examples of single kanji on'yomi:

  • 一 (いち) one
  • 本 (ほん) book
  • 天 (てん) heaven

kanji compounds

Kanji compounds are much more common. Made up of two or more characters without any okurigana on the end, these compounds usually take on'yomi and are called 熟語 (じゅくご), which itself is an example of such a compound.

Other examples of 熟語:

  • 東京 (とうきょう) Tokyo
  • 先生 (せんせい) teacher
  • 地下鉄 (ちかてつ) subway
  • 新幹線 (しんかんせん) bullet train

These words most resemble the Chinese language, which is just one character after another. When you see a compound word like this, it's a good bet the kanji use on'yomi readings.

訓読み

When a kanji is by itself (e.g. 猫, neko, cat) or paired with okurigana (e.g. 食べる, taberu, to eat) it is likely to be read with a kun'yomi. This may be because single kanji as well as kanji with okurigana often represent common or simple words or ideas (cat, white, to talk, etc) which both do not require more than one kanji to express and probably had a word in the Japanese language before the introduction of kanji.

If the kanji is part of a compound word with another kanji but has attached kana (e.g., 生け花 (ikebana, flower arranging) or 髪飾り(kamikazari, hair decorations)), it is more likely to be read with kun-yomi. The other, unattached kanji in that compound is also more likely to be read with kun-yomi, but may not be. See also 音読み and 訓読み.

If the kanji is part of a family name or place name, it is likely to be read with a kun'yomi even if it comprises of two or more kanji.

single kanji kun'yomi

Most words that consist of a single kanji, sitting all alone with no okurigana, are read with the kun'yomi reading. These include nouns and they make up the majority of beginner words you learn from textbooks and in classrooms.

Examples of single kanji kun'yomi:

  • 人 (ひと) person
  • 手 (て) hand
  • 心 (こころ) heart

When the kanji for compass directions are seen alone, they are always pronounced with their kun'yomi:

  • 北 (きた) north
  • 南 (みなみ) south
  • 東 (ひがし) east
  • 西 (にし) west

But, when paired, they go by their on'yomi: 北西 (ほくせい) = northwest

kun'yomi with okurigana

If a single kanji has hirigana attached to it, it almost always uses the kun'yomi reading. Words with okurigana are mostly adjectives and verbs, but there are some nouns out there too.

Examples of kun'yomi with okurigana:

  • 大きい (おおきい) big
  • 食べる (たべる) to eat
  • 玉ねぎ (たまねぎ) onion

kun'yomi compounds

Some kanji compounds words, especially those that have to do with nature (very Japanese) or cardinal directions, can take the kun'yomi readings for both kanji. While not as common as on'yomi compounds, they do exist in some very common words.

Examples of kun'yomi compounds:

  • 月見 (つきみ) moon viewing
  • 南口 (みなみぐち) south exit
  • 朝日 (あさひ) morning sun

Examples

私はよく食堂で食べる。(I frequently eat at the cafeteria.)

  • 私 (わたし) stands alone with no other kanji attached to it, and so is pronounced with a kun'yomi.
  • 食堂 (しょくどう) has no okurigana and is a two-kanji compound, and so both its kanji use an on'yomi.
  • 食べる (たべる) uses the same kanji as the first kanji of 食堂, but has no other kanji attached to it and is followed by okurigana. It is pronounced with a kun'yomi.

More examples at KawaKawa.

Exceptions

Although most kanji have both an on'yomi and kun'yomi reading, there are kanji that only have one or the other.

Kanji that only have an on'yomi reading are usually for things that either:

  1. Do not have a single, unified term (in Japanese), and thus took the Chinese reading for clarity, or...
  2. Were ideas or concepts that didn't yet exist for the Japanese people.

Examples of kanji that only have on'yomi readings:

  • 肉 (にく) meat
  • 材 (ざい) lumber
  • 茶 (ちゃ) tea

Meanwhile, there are also kanji characters that only have kun'yomi readings because they were created in Japan. Pieces of existing kanji characters were put together to create a new kanji for a concept that was native to Japan.

Examples of these 国字 (こくじ, literally "national characters"):

  • 峠 (とうげ) mountain pass
  • 鰯 (いわし) sardine
  • 咲く (さく) to bloom

There are, of course, many other exceptions to the rules guidelines above:

  • Words that contain kanji that have both on'yomi and kun'yomi readings.
  • Kanji that get assigned to katakana words.
  • Words with kanji that have readings that don't make any logical sense when you look them up in the dictionary.

Further reading: Weird Kanji: Unusual Readings and their Origins.

References:

runpunkrun: Pride flag based on Gilbert Baker's 1978 rainbow flag with hot pink, red, orange, yellow, sage, turquoise, blue, and purple stripes. (rainbow queer)
A digital rendering of the non-binary flag with text that reads: Trans & Non-Binary Characters, at Fancake. The non-binary flag is rectangular with four horizontal stripes. The top stripe is a bright lemony yellow for those whose gender falls outside of and without reference to the binary. Next is a white stripe for people with many or all genders. The purple stripe represents those whose gender identity falls somewhere between male/female or is a mix of them. And the last stripe is black for people who feel they are without gender.
[community profile] fancake's theme for February is Trans & Non-Binary Characters!!

Because I am not good enough at computer to blend these flags together in a pleasing—rather than nauseating—way, I made two banners for this round. You can choose from two flavors: TRANSGENDER SPLASH or NONBINARY BLAST. That's right. Gender is like Mountain Dew. Some people have a favorite flavor. Some people have more than one. Some people change their minds about their favorites over time, and some people want nothing to do with it.

If you have any questions about this theme, or the comm, come talk to me!
runpunkrun: image of a folded newspaper, text: good news everyone! (good news everyone!)
Fandom

Graphic with text message bubbles and other social media symbols on a blue background with text: "Comment Bingo: Encouraging more feedback on fanworks!"

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Festivids is LIVE with 160 vids in 129 fandoms.

I shared my notes from the January 28th OTW Board meeting, and [personal profile] satsuma wrote about the Board's statement on how they weren't going to make a statement on the Israel-Palestine conflict: So the OTW Board is still being terrible, but this time about Gaza.

AO3 posted a massive overview of code deployed from June through October last year.

Fancake

[community profile] fancake's theme for February is Trans & Non-Binary Characters, and I recced this lovely fanart of a trans James T. Kirk, by hsorenstein.

There's also a little wrap up for last month's Indigenous Characters round.

Food

Over at [community profile] gluten_free we're taking it easy with low-effort recipes and resources.
runpunkrun: Pride flag based on Gilbert Baker's 1978 rainbow flag with hot pink, red, orange, yellow, sage, turquoise, blue, and purple stripes. (Default)

Today's Agenda:

  • Decisions made since the last public board meeting
  • Diversity update
  • 2024 Board roadmap
  • Any other business (Questions & Answers)

Decisions taken since last meeting:

  • Approved new chairs for Webs, Communications
  • Approved Board Confidentiality Policy
  • Approved Board Break Policy
  • Granted new threshold for Finance's expense approval

This meeting ran as smoothly as the last, again due to the fact that the only people allowed to post to the meeting room are Board members and there's no way to ask questions about the business at hand. The first roll call showed 99 guests. The second had 75, and the last 67. So around 100 people were there at one point or another, maintaining the trend of increased attendence since End OTW Racism began encouraging fans to show up for the meetings.

The diversity, equity, and inclusion (DEI) update, was, in its entirety:

We're pleased to announce that our contracted organizational culture firm finished conducting interviews in December, and will be sharing their final report with the Board very soon.
This was so inadequate my eyes nearly rolled out of my head. Their DEI efforts cannot begin and end with this firm's audit, but as long as we're on the subject, what did they learn from the preliminary report? Did it trigger any changes in the organization? And, as I asked in my one alloted question: If the OTW doesn't release the consultant firm's findings to the public, either in full or in summary, what other kind of transparency and accountability mechanisms will be employed?

To that, Anh Pham responded: We don't have the report yet, so we cannot give a specific answer at this time. We know that people are eager to hear the findings and will share what we can when we can.

But back to the agenda. After that DEI "update," Kathryn S shared the Board's roadmap for 2024:

The following is a list of tasks that the OTW Board hopes to accomplish by the end of the current Board year on September 30, 2024. Completing this list is our goal, but it will depend on numerous factors outside of our control. We will continue to post updates on our progress on these and other tasks in the OTW Signal and in Public Board Meetings.

Trust, Safety, and Accountability:

  • Enable Elections Committee to pay for elections without requiring Board approval - DONE
  • Board Confidentiality Policy - DONE
  • Policy for Making a Formal Complaint Against a Board Member - IN PROGRESS
  • Improve Board transparency - STARTED
  • Improve Board responsiveness and turnaround time for communications - STARTED
  • OTW Whistleblower Policy
  • Review and revise OTW policies for volunteer discipline

Soliciting Expertise:

  • Procurement Policy (Outlines steps to find new consultants, contractors, tools, etc. in a fair and fiscally responsible manner) - IN PROGRESS
  • Create Requests for Proposal for various consultants/contractors

Following Existing Plans:

  • Stay up to date with Board's goals in the OTW Strategic Plan
  • Assist other committees to reach their goals in the OTW Strategic Plan
  • Support Strategic Planning Committee through the implementation of the Strategic Plan
  • Lead the review, approval, and implementation of recommendations from organizational culture survey

Board Sustainability:

  • Board Break Policy (Requires Board Members to take a reasonable break from Board work every year to prevent burnout) - DONE
  • Board Hiatus Policy (Outlines procedure for going on and coming off hiatus, as well as establishing limits for how many Board Members can be on hiatus at once and how long a hiatus can be) - IN PROGRESS
  • Board Annual Self-Assessment and Still Willing to Serve survey

Board Assistants Team (BAT) Committee:

  • Approve creation of new committee - DONE
  • Approve committee chairs - DONE
  • Approve first committee members - DONE
  • Work with BATs to create systems to better manage Board tasks - STARTED

After all that copying and pasting we had 45 minutes left for questions.

The first question was:

Q: Have there been any meetings or other progress regarding updating the AO3 Terms of Service since this summer? Given the timezone difficulties involved in coordinating real-time meetings, is asynchronous meeting being considered (and if it is not, why not)? When do you expect TOS revisions to be complete?

kcdayton: We are getting ready to begin asynchronous meetings about this; we hope to either make significant progress or complete the work by the end of this Board term. We will provide updates at our next meeting.

Someone astutely asked:

Q: I see that the Board has "started" working on transparency in the update. Could you clarify what steps are involved in this process, please?

Kathryn S: For one, better Board meetings! We're making an effort to answer more questions during these quarterly meetings. We are also sharing updates through the monthly OTW Newsletter, which you can find on the OTW website.

We have also made internal changes, such as giving a way for volunteers to request public responses to questions asked in our Volunteer Anonymous Feedback Form, answering volunteer questions in an internal public space, and having a policy for making volunteers and chairs aware when individual Board members are unavailable (e.g. when they are on vacation).

There were two questions about ensuring disciplinary measures are applied fairly.

Q: What internal policy changes is the Board pursuing to ensure that volunteers of color aren't held to an unfair double standard when being corrected/disciplined?

Kathryn S: We cannot currently speak to specific policy changes, but we are committed to reforming our disciplinary procedures in line with best practices, including considerations for holding volunteers of color to an unfair double standard. We will continue to provide updates.

The second, purely based on its wording, got more of an answer:

Q: What standards are in place for dealing with racism and hate speech within the org without being subject to the personal biases of the board and chairs?

Kathryn S: We are in the process of revising our formal disciplinary processes and procedures, and we're also working on a volunteer complaint process that will ensure fairness for all volunteers. We also expect the organizational culture consultant to have recommendations related to this.

Got a bit of clarification on what "soon" means:

Q: What is the Board's time estimate on when the results of the organizational culture firm's report will be shared with the Board? Will it happen before the next public Board meeting?

Michelle Schroeder: We do expect to see it soon, so definitely before the next public Board meeting, which will be next quarter (so in about three months).

Then there were two questions about the Board meetings themselves.

Q: Some questions here can only be answered in real-time with "more information to come". Could such questions be noted in after-meeting reports to help track issues due for follow-up? (Or is there another plan for reporting on them?)

kcdayton: We can look into ways to indicate fuller responses when we add the post-meeting replies, sure! On that note, Board shared the updated responses to 2 questions we answered live in November 2023 meeting in the #questions-answers channel. You can check them here #questions-answers November 2023 post-meeting Q&A.

We are also paying attention to what people want to know so that we can do better next time!

Q: Will we have more frequent meetings?

Kathryn S: These public meetings take a lot of time to prepare for, so it is very unlikely that there will be more than 4 per year for the foreseeable future.

Questions were also asked about improving communications between committees, hiring additional consultants/contractors, committees holding open meetings, what's being done to prevent volunteer burnout, and AO3's policy on AI-generated works. If you'd like to read more on these subjects, I recommend joining the OTW Discord and reading back through the #public-board-meetings channel, which is pretty straightforward now that Board members are the only ones allowed to post there. If you've already joined, you can use this link to jump to the top of the Jan 28 meeting.

The Board took fourteen questions all told, though some were not blessed with what I would call answers. The questions that did not get answered at all will be replied to in #questions-answers starting in two weeks on February 10, 2024.

Meanwhile, at the top of the hour, in the #open-chat channel where people socialize and post their questions for the Board, Kathryn S shared a statement from the Board, with this introduction from dazyndara: "Before we get started, we are aware of the ongoing discussions around the OTW and Israel-Palestine. The Board has prepared a statement on the topic which they will share now. Follow-up questions can be sent in via the contact form but will not be addressed during this meeting."

Dear Meeting Attendees:

We understand that many attending are planning to ask for the Board to make an official statement on the Israel-Palestine conflict. It is the policy of the OTW to not make official statements on anything that falls outside of the purview of the OTW as a nonprofit organization: fans, fandom, and Internet policy.

This is primarily for the following reasons:

  • Engaging in advocacy beyond the organization's purview could risk revocation of our 501(c)(3) status.
  • The OTW community is enormous and diverse, and is impacted by a huge variety of political issues. Making a statement on some issues would make our silence on others more significant – and more hurtful to those impacted.
  • Researching and crafting official statements on complex political issues takes a significant amount of time and effort, and the Board has limited time and needs to focus on the elected mandate of running and improving the OTW.
  • The OTW is respected as an advocate for fans and fandom, and our statements in this regard are therefore taken seriously and have an impact. Public stances made by the OTW regarding topics outside of the organization's scope are far less likely to be taken seriously, and could even reduce the impact of future statements made within our purview.

We know that this is disappointing to many of you, and we are sorry. However, as the people responsible for the current and future wellbeing of the OTW, we are not going to break or change this policy.

Respectfully,
The OTW Board

But as [personal profile] satsuma points out in So the OTW Board is still being terrible, but this time about Gaza, the OTW has already taken a political stance when they decided to treat the phrase "from the river to the sea, Palestine will be free" as threatening rather than liberatory, and now they are refusing to comment on that choice.

For this, and other reasons, I found this meeting very frustrating. I am not feeling any kind of increased transparency from the OTW or the Board, and that DEI update was a joke. Also they were back to banging on the drum of the Contact Us Form. I once again took them at their word and threw this series of questions into their mailbox: What is the structure of your agreement with the consultant firm? What are they contractually obligated to deliver? Is it just a report or will they be assisting in or assessing your implementation of their recommendations?

But I still haven't gotten any response to the last ten letters I sent, so at this point I'd have just as much luck chucking them down a wishing well, with about the same results.

{also posted to Tumblr}

runpunkrun: john flansburgh and john linnell of they might be giants, text: we can't be silent (their shoes are laced with irony)
Come join me in the OTW Discord. If you have questions about the meeting, I can try to answer them here, or I'm runpunkrun over there.
runpunkrun: image of a folded newspaper, text: good news everyone! (good news everyone!)
Sound

This week's featured myNoise.net generator is the newly released Kalimba Echoes, a musical soundscape with the calming tones of a kalimba, a wooden board with staggered metal tines that's played by holding it in the hands and plucking the tines to produce a chiming sound.

Fandom

The public OTW Board meeting is TOdAYish, in six and a half hours. Find out what time it is for you and come join me in the Discord!

Fancake

[community profile] fancake's theme for January is Indigenous Characters, and there are only a few days left to get your recs in!

Food

Over at [community profile] gluten_free we're talking condiments. And I'm looking for a frozen French fry available in the US that's GF and soy-free. I've had one hit, but they're not sold in my area.
runpunkrun: image of a folded newspaper, text: good news everyone! (good news everyone!)
Fandom

In about a week, the OTW will be holding a public Board meeting from 2:00 AM to 3:00 AM UTC on January 28. Find out what time that is for you.

Fancake

[community profile] fancake's theme for January is Indigenous Characters, and there are four days left to vote on the theme for February.

Food

Over at [community profile] gluten_free we're talking condiments.
runpunkrun: image of a folded newspaper, text: good news everyone! (good news everyone!)
Fandom

The OTW will be holding its next public Board meeting from 2:00 AM to 3:00 AM UTC on January 28. Find out what time that is for you. For me it's January 27 at 6 pm PST.

Fancake

[community profile] fancake's theme for January is Indigenous Characters, and I recced this high energy fanart of Deadloch's Tammy Hampson by sprklboo.

Food

Over at [community profile] gluten_free we're talking condiments.

And now for the Weather...

It's 17°F (-8°C) here and we've got snow and ice in the forecast so if I disappear for a bit, it's probably because the power is out. If I disappear for a LOT, I'll try to let [tumblr.com profile] kormantic know what's going on, so if you haven't seen me in a while and you're worried, you can contact her.
runpunkrun: drawing of two astronauts floating in space and holding hands, a red cartoon heart floating up between them (i love the whole world)
Those fools at Amazon offered me a free month of Prime and I jumped on it.

Deadloch: Friends, I watched this because everyone loves it, and I did love it, but I did not love the first three episodes due to a combination of everything Eddie says coming out in a yell and the smothering nature of Cath's whole thing. Instead of dark murder comedy this was serving me up fresh psychological horror. But as soon as Eddie and Dulcie start working together in the fourth episode this really kicked in for me. I appreciated Eddie's character design even when all she did was yell (her scowling face, her flapping Hawaiian shirt, her incomplete pants), but as soon as she secured at least one of her loose cannons (PLEASE PUT SOME SHOES ON) and teamed up with Dulcie, I was free to love her and her inability to get anyone's name right or complete a sentence free of swears. Also Kate Box looks like a lady Ryan Stiles, which endeared her to me immediately. But what good is Amazon X-Ray if it won't tell me wtf tuna mornay is?

Fleabag: Phoebe Waller-Bridge is absolutely riveting as the titular fleabag, but while this was definitely entertaining and I watched the whole thing in two days, I can't say I enjoyed it. Watching people self-destruct while mourning the death of their best friend isn't what I'd call fun, though I found the second season easier to take than the first as our hero grew a bit more self-aware and slightly less self-destructive, and Andrew Scott was, of course, a highlight. Nice to see him somewhere where he isn't chewing down the walls. The last three eps were really well done and made me glad I stuck with this.

Meanwhile, on PBS Passport:

Annika: I really enjoy Nicola Walker. I enjoyed her in her last show, Unforgotten, where she played a detective who investigated cold cases, and I'm enjoying her here where she plays a detective who investigates marine homicides. This is really more about the characters and their relationships than the murders, which are resolved without too much fuss, and Annika makes an interesting narrator who, from time to time, turns to talk directly at the camera, often about, like, George Orwell or a Norwegian saga, or her shortcomings as a parent.

And because I love space and have been very stressed out and have discovered I find documentaries about space incredibly soothing, I've been watching a lot of Nova.

The Planets is a five part series (yes, some planets have to share) narrated, credibly, by Zachary Quinto. I learned some truly great things in here, like the fact that Jupiter was all ready to go by the time the sun turned on. It had just been lurking there in the dark. I guess I'd always assumed the sun lit up and then the planets formed, but I now realize this makes no sense. UPDATE: I just watched a different space program from 2021, also on Nova, that seemed to suggest the sun turned on and then the planets formed from the leftovers, so now I don't know who to believe.

Ancient Earth looks at Earth in much the same way we look at the other planets in our solar system, but with a lot less guessing, and I learned how little I know about our planet's development. For example, prototaxites, an extinct genus of terrestrial fossil fungi dating from the Late Silurian until the Late Devonian periods. AKA GIANT TOWERS OF FUNGUS. Like almost thirty feet tall and three feet wide. Just doing their thing out there before vascular plants arrived to do it more efficiently. Also Earth may have, at one point, been entirely covered in ice? The More You Know. This series is kind of all over the place because it's covering a huge amount of time, and skips over a lot, always "3.8 Billion Years Ago" this and "500,000 years later" after that, super vague, right, but it takes the opportunity to make one of the darkest jokes I've ever seen in an otherwise serious documentary. A segment opens with a CGI scene of some dinosaurs hanging out around an idyllic lake and the text on screen reads: "The last day of the Cretaceous period."

At Netflix:

A Castle for Christmas: Cary Elwes still looks great in a pair of pants and at no point did Brooke Shields have on inappropriate footwear while traipsing about the countryside, which already puts this way ahead of every other movie of its kind. It has two whole Black people and one widowed selectively mute queer.

Virgin River: God that title. This show is like drinking syrup, but that's about all my mom can handle these days, so I'm watching it with her.

On DVD from the Library:

Spider-Man: Across the Spider-Verse: Amazing mix of animation styles, an incredible sense of just how much I don't know about Spider-Man, and a story that just didn't grab me. Whoops. I do love Miles and I have always been a Gwen fan, but I think this story just got too big for them.

Barbie: Ahhhhh, loved this. It was super fun and I was still thinking about it for days after. That moment when Ken looks around him in the real world and he's surrounded by images of men like him doing powerful things like riding horses and wearing wristwatches, I was like HOLY SHIT this is what cis men feel like all the time. Only it's not remarkable to them. And while this movie was intensely populated by women (a group I caucus with), I never had that feeling while watching this film because Barbieland is a complete fantasy, not only inapplicable to the real world, but nothing to aspire to either. Because of, you know, the gender oppression. Though bless Kate McKinnon for fully embodying Weird Barbie. I can relate. In other news I finally understand that patriarchy horse joke Tumblr keeps making.

Weird: The Al Yankovic Story: This movie existed in a quantum state in my mind (biopic? parody? Daniel Radcliffe??) until it finally clicked just before I watched it and I was like, "OH, of COURSE it makes sense that this Weird Al movie is both a biopic and a parody." And it was. I love Weird Al, and Daniel Radcliffe looked like he was having a great time. All the cameos were super fun and made me think of all these superstars jostling to be in the Weird Al movie, but I agree with Scott Tobias when he says, "Al's relationship with Madonna sends the film off on an unfunny tangent from which it never returns." I would have preferred a different direction, say a take on the tour bus documentary or a behind the music sort of thing. I even would have accepted a buddy movie where he and the band have to solve a mystery or win an amazing race. The drug lord angle was just the wrong tone for me, and lead to a weird ending, but, I guess it said that on the tin.

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